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"It doesn't matter. Come upstairs with me, Mona. I want to tell you all about it," says Doatie. The reaction has set in, and she is again tearful, and reduced almost to despair.,

Geoffrey coming to the farm somewhat early in the evening, Mona takes him round to the yard, where two dogs, hitherto unseen by Geoffrey, lie chained. They are two splendid bloodhounds, that, as she approaches, rise to their feet, and, lifting their massive heads, throw out into the night-air a deep hollow bay that bespeaks welcome.,

When she has finished, Geoffrey says "thank you" in a low tone. He is thinking of the last time when some one else sang to him, and of how different the whole scene was from this. It was at the Towers, and the hour with its dying daylight, rises before him. The subdued light of the summer eve, the open window, the perfume of the drowsy flowers, the girl at the piano with her small drooping head and her perfectly trained and very pretty voice, the room, the soft silence, his mother leaning back in her crimson velvet chair, beating time to the music with her long jewelled, fingers,—all is remembered.,

"Thank you; so I shall, if you will come with me."

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The fourth dance has come to an end; cards are full; every one is settling down to work in earnest; already the first touch of satisfaction or of carefully-suppressed disappointment is making itself felt.,

The Rodneys are, for the most part, in the library, the room dearest to them. Mona is telling Doatie's fortune on cards, Geoffrey and Nicholas are discussing the merits and demerits of a new mare, Lady Rodney in still struggling with the crimson sock,—when the door is opened, and Nolly entering adds himself to the group.,

Still onward,—lightly, swiftly: now in sight of the boundless sea, now diving down into the plain, without faintness or despondency, or any other feeling but a passionate determination to save a man's life.,

"I accept the risk," says Nolly, with much stateliness and forthwith retires to make himself presentable.